pomegranates

choke down blonde bombshells
lily-of-valley-white

stripped of what civilised veneer
offered turning away from it

finally we are ourselves
mutter boys with arms for swords

whose fingers long knives
sheath almond fog

this world this mutton to be ground
underfoot unnamed animals groan

muzzled at thresh
ripe pomegranates bursting open

seed between molars burst
centuries old tang

most vital

what value wends
mid-throbbing horde

small bird sotto voce
borrowed tongue

you who listen
listen closely

critically not language
not meaning not tableau

but listen listen
listen most vital

most revolutionary
act

March 18

False spring this year, all brass, centre-of-the-road,
gone with what tempo it came. February, the deceitfully
short month.

There were flurries after that, but half-hearted.
No accumulation to speak of, no drifts.

March 18. Middle of the day we saw optimists
in sawed-off trousers shouting the winter over.

They might be right. But then I’ve seen many a false spring,
two to a season. No much more to say than
I’ve seen them.

Magnetism

I keep a piece of stone in my head,
just behind my eyes. It is magnetic
and points me home.

If you ask me “where is home?”
I will say “ask the stone.”
I am not a map.

Sometimes I come to a body of water.
I build a boat. Is this not why
anyone builds boats?

The boat sinks. I build another.
I drink the water and die of thirst.
I build another.

If you say to me “tell me your story.”
I will tell you the story of the stone.
I am not an author.

If you say to me “I am your home.”
I will say nothing, but start
building another.

satisfaction

balloon-shackled
plummets (scuttled) cloudward

its choice we undertone
understandable we mutter

such humdrum business here
our vast concretes

we who navigate by torchlight cigarettes
who guzzle uncountable cakes

its chosen sky Jesus
its sensible harp sweeps

not these thunderheaded alleyways
not these lightningous fingers

Toronto // Nowhere

A man walks down a street
but only the street exists:

You can visit it if you like.
He walks through an arch

slung over his back.
Only the arch exists, barely,

a sad little thing, a facsimile.
He leans out over the water

and the water does not exist.
In its place is another water.

He takes a picture of a reflection.
Only the picture exists:

The reflection has washed out
to the other reflections.

A different man holds the photo.
I would like to meet him,

he thinks.

Jaw

with your jaw i have
slain a hundred men

slack
dulcimer ploughshares

the book that should not have been opened
says what if the book had not been opened

smooth teeth you
have eaten the world